In 1986, John Knoll joined Industrial Light & Magic as a Technical Assistant and was soon promoted to Motion Control Camera Operator for Captain EO. After three years of operating, John was called upon to work on the ground breaking digital effects for The Abyss, a film that saw the first use of Photoshop, which he had co-developed with his brother Thomas. Since that time, John has been promoted to Visual Effects Supervisor helming the visual effects on more than twenty feature films and commercials and most recently Chief Creative Officer of the studio. His film background coupled with an advanced understanding of digital technologies has made John a much sought-after supervisor having been honored with an Oscar and a BAFTA Award for Pirates of the Caribbean: Dead Man’s Chest and six additional visual effects Academy Award nominations as well as five additional BAFTA nominations. John’s supervisory credits also include the Star Wars Prequels, Episodes I, II, and III, Mission to Mars, Deep Blue Sea, Star Trek: First Contact, Rango and Mission: Impossible, Ghost Protocol among others. Prior to his promotion to Chief Creative Officer in May of 2013 he served as the Visual Effects Supervisor on Guillermo del Toro’s science fiction epic, Pacific Rim for which he received a BAFTA Award nomination for Best Achievement in Special Visual Effects. John was an Executive Producer and Visual Effects Supervisor on Rogue One, the first film in the ‘A Star Wars Story series.’ The film, based on a story concept John created released in December of 2016. John’s interest in filmmaking began at an early age. Having a keen interest in visual effects, he was mesmerized by the original Star Wars film. During a visit to ILM in 1978 he was able to observe first-hand the world of visual effects. Inspired to learn more, John attended the USC School of Cinema and earned a Bachelor of Arts in Cinema Production, while freelancing as a Modelmaker at a variety of Los Angeles-based production facilities.